Wednesday, October 6, 2010

Bill Cody, 1917

William F. Cody lay dying of kidney failure at his sister's house in Denver. He was 71 years old and his kidneys were shot, his own blood was turning against him. Family and friends surrounded his bedside, praying and witnessing. Touching the paper-thin skin of the old man's hand. It seemed like an unlikely way for him to go, they all agreed. He had seen his brother thrown to his death in Iowa, seen his father stabbed by Confederate sympathizers in Kansas. He fought Mormons in Utah and Souix across the plains, he knew his way around a gun.

He killed 4000 buffalo for the Transcontinental Railroad, sold their meat the the workers along the way. He prospected for gold in California, drove stagecoaches and rode for the Pony Express, acted as scout for Russian aristocracy. Nobody knew what was true and what wasn't anymore. He didn't know himself. He turned it all into a show and he took it around the world. He gave command performances for presidents and royalty, claimed "Wild Bill" Hickok and Kaiser Wilhelm II as personal friends. Queen Victoria presented him the cherrywood bar that still stands in his hotel in Wyoming. I ate breakfast in that same bar when I was just a kid. Smothered my pancakes in syrup.

He slipped in and out of consciousness for the better part of three days, and finally died on January 10, 1917. Word of his death was published on the front page of the next day's newspaper, between a Pueblo farmer who avenged his brother by killing his murderer, and an Indianapolis "negress" who made a fortune selling an ointment to straighten kinky hair.

Wednesday, September 15, 2010

Tuesday, August 24, 2010

The New York Theater Party

"Overshadowed by the better-known exploits of Mafiosi, the dubious achievements of the early Tong members remain sadly obscure. Undeservedly neglected is Sing Dock, the chief boo how doy, or hit man, of the Hip Sing Tong in the late nineteenth and early twentieth centuries. A methodical man who always carefully mapped out his assassinations and escape plans, he became known as 'The Scientific Killer,' and, in Tong circles, his exploits were well known and well regarded.

"Sing was born in San Francisco around 1873, the son of Gout Sum Choy and Wu Shee, who owned a small general store in that city. He was brought back to China as a child by his parents and schooled there, but at fourteen he returned to San Francisco with his father. He eventually joined the Hip Ying Tong, where he soon became a valued boo how doy. Eventually his main allegiance shifted to the Hip Sing Tong, one of the two groups active in New York. he rose to be the mainstay of the coterie of killers, the 'inner council of seven' of the Hip Sings, a sort of Tong version of the better-known Murder, Inc. of Albert Anastasia. They took care of the hits and rubouts that were from time to time necessary in the course of Tong business. The 'Scientific Killer' carefully worked out battle plans and methodically trained and drilled his loyal killers.

"He came to New York and settled at 13 Pell Street around 1905. Here he planned one especially vicious hit on behalf of the Hip Sings. On August 6 of that year a performance was to be held in the Chinese Theatre at 5-7 Doyers Street. Because the actor was sympathetic to the On Leongs, Sing knew that many members of that rival Tong would be in attendance. He realized that patrons would be searched that evening upon entering the hall, and so in the afternoon before the performance he smuggled in some pistols and hid them in accessible spots around the theater. Shortly after 10:00 PM, with the theater packed with four hundred people, a Hip Sing ignited a bunch of firecrackers and, in the same moment, fellow Tong members reclaimed their pistols and began blazing away. Total havoc followed as the audience screamed and fled in panic and On Leong members produced their own guns to return fire or their own knives to meet the enemy hand-to-hand. Reported the New York Times the following morning, 'The seats, curtains, and scenery were riddled with lead. The floor was littered with pigtails, pistols, hats, coats, and debris which had been shot from the ceiling and walls.' Four lay dead or fatally injured: Lee Yuck, Lee Yee Sing, Yu Yuck, and Wu Sing. Sing called this massacre 'The New York Theater Party,' which indicates that he was either incredibly ruthless or scathingly arch.

"On March 12, 1911, at Hip Sing headquarters at 16 Bowery, Sing was shot in the stomach by fellow Hip Sing and former protege Yee Toy, and died the next day at Hudson Street Hospital. Some reports say that Yee shot in self defense, another that the two had argued over gambling debts, another that the spat was purely personal. Yee Toy went down a year later outside of his home at 12 Pell Street, across the way from his mentor's last address."

-Andrew Roth
Infamous Manhattan

Tuesday, July 13, 2010

Superstitions, 1988


She sat in her wheelchair, staring out the window at the cornfields. She said that morning she had a bad sickness right behind her eyes and needed silence. She had brown eyes but they looked black. I stared down at the laces of my shoes and waited, most of the afternoon. By dusk she was all right again.
“I dreamed last night that somebody shot you.” She told me later.
“Yeah? Who did that?”
“I don’t know. Somebody.”
“What for?”
“Watch out for yourself, Tommy.”
Later on we sat in the kitchen and watched the news. She rocked herself back and forth slowly while she watched. Above the TV hung a crucifix that my great-grandfather made. He carved it and painted it black and gold. It had hung in the kitchen of every house we ever lived in, above the TV.
“Tommy?”
“Yeah?”
“What time is it?”
“Around six, six-thirty?”
“You getting hungry?”
“Soon, yeah.”
She kept rocking back and forth, slowly, staring at the TV while we talked. I watched her grip the rubber wheels of her chair. They were strong, square hands, with almost no fingernails left at all.
“How’s your head?”
“Just fine.” She smiled. “All gone.”
She’d go blind sometimes from the pain. I’d carry her upstairs to her room and cover her with blankets. Sometimes she’d stay in her room for days, sleeping. I’d stay in my room across the hall and listen to her talk in her dreams.
“Did anybody call today?”
“No.”
“I thought I heard the phone ring.”
“No.”
Monica called. She said she was in a phone booth outside Joliet. She told me she could see the prison from the road. She asked if it was raining here yet and told me that it would be soon.
“Did we get any mail? Any bills?”
“No.”
“That’s good. Eric said he was going to write, though. When did Eric call?”
“I don’t know. Last week sometime.”
She stopped rocking and took my hand. She put it in her lap and frowned.
“Watch out for yourself, Tommy.”

The next afternoon the sky turned gray and it started raining. She fell asleep in her chair so I carried her upstairs and put her in her bed. I could hear the wind hit the walls of the house. I stood at her window and watched the cornfields sway back and forth. It moved like an ocean.
“It’s going to storm.”
I found a dead crow on the porch later that afternoon. It was limp and its neck was broken. It had red eyes. I picked it up by the claws and carried it inside to the kitchen. Then I put it down on the counter and stared at it.
The eyes were already fading from red to black. I started smoothing down its feather and tried to straighten out its head. Water ran down its body onto the counter, making a puddle around it. It was a little bigger than my hand.
“I found a crow. It’s in the kitchen.” I told her later.
“Where’d you find it?”
“On the porch. It broke its neck.”
“It’s dead?”
I carried her downstairs to see it. She looked at it for a minute and lifted one of its wings carefully with the tips of her fingers. She let it drop.
“What’re you going to do with it?”
“Bury it, I guess.”
“Oh.”
When it stopped raining I found a shovel in the garage, leaning up against the wall. It was rusty and old. I dug a hole in the mud and pushed the crow in. Then I said a prayer and asked God to take it. She watched from inside the house.
It started raining again that night. We sat in the kitchen and listened to the radio. She rocked herself back and forth while she listened. I looked at my hands.
“I had another dream last night.” She told me.
“Oh, yeah?”
“It wasn’t about anything, though.”
“What was it?”
“A train. In a desert somewhere.”
“Oh, yeah?”
“Yeah. It was like a movie.”

From my window I could see the clothes hanging on the line. The wind whipped them around. I could hear the sheets and towels snapping. They looked like ghosts, lined up along the side of the house. I counted the clothes from my window. They were drenched in rain.
She was afraid another spell was coming on. Another long one, she thought. The kind that made her go blind. She sat in the living room with the lights off and waited.
“When do you think it’ll happen?”
“Can’t ever tell. A few days, maybe.”
“Then why do you think it’ll happen at all?”
“I just do.”
The sky was dark all day long. It covered the land like a blanket. I looked at all the acres of corn swaying back and forth. In the far distance I could make out the lights of the highway. Then more fields. I could hear her praying in the dark.
She kept her money rolled up in a Band-Aids box in her closet. It was tied up with a red rubber band. I found it one day while she was sleeping downstairs. I held it in the palm of my hand and felt its weight. It felt like a rock. I held it in my hand and watched her sleep, all afternoon.

In the garage I could smell the rain. I was leaning up against the body of her car. The windows were smashed out and the metal was rusting away. The tires and engine were gone. Across the yard I could see the house. I found her window. The shade was drawn. I looked at the clothes, still hanging there like ghosts, and counted them again.

“You want some tea or something?” I asked her. She was lying in her bed with her eyes closed. She didn’t move. “You want any tea?”
“No.”
“You sure? I’m going to have some.”
“No, thanks. I’m all right.”
“All right.”
“Tommy?”
“Yeah?”
“Leave the door open, would you?”
“Sure. Goodnight.”
“Goodnight.”
When she fell asleep I closed the door and went to the kitchen. There was an old photograph of her taped to the icebox. She’s at the beach somewhere, shielding her eyes from the sun with her hand. A shadow runs across the middle of her face. She’s young in the picture. She’s standing up. The ocean spreads out behind her and her feet are buried in the sand. I studied the picture for a long time and closed my eyes.
She was still sleeping when I took her money out of the Band-Aids box. I shoved the roll in my jeans while I watched her. She was very still. I closed the closet door quietly and crept out in my socks. I looked at her one more time form the hall. She hadn’t moved.
I tore through the cornfields with the rain in my eyes. My throat burned. I tripped over some stalks and got back up. I could feel the house getting smaller behind me. I felt it fade in the distance. My heart was beating so hard I felt it in my fingers. I felt it in my teeth. The lights of the highway cut through the corn and I followed them. The cars hissed in the rain.
I thought, if I could just lift my arms up I’d be able to pull myself over the corn and fly away. I thought, if I could just do that.

Sunday, July 4, 2010

Americans


"Mr. Srinivasan
instructs us to call him 'Babu'
because no one can say
his name -

perverted letters mate
unnaturally, heretic
bloodlines (sex in high school
was like sports: we did our
best and hoped someone
important saw). This country

Absorbs into its blondness
darkness and we began
in darkness -

I wonder how a Hindu
falls in love in Texas.
I wonder where Ann Nguyen went
(who threw her books into my
hands and knew English
enough to say, 'You are my
boyfriend,' no matter what
I thought) -

who kissed engulfingly yet was
so tiny her ring sat only
a crown on my fingertip -
I thought I was the most
powerful chain-link boy
in school.

Mr. Srinivasan
was born in Rusk (a tiny
Texas town which still
dreams of the Republic)
and speaks only English.
His drawl is John Wayne or

Ross Perot and once in
Texas cows were sacred;
once in high school a girl
from Vietnam was more
beautiful than America."

-Jon Schillaci
1998, Ramsey I Unit, TDCJ-ID
Rosharon, Texas

Saturday, June 12, 2010

Another Country

He used to talk about the fifties like was another country or something. Used to sit right over there in one of the window booths, lighting one fresh Chesterfield off the dying butt of the last one, stubbing the last one out into the growing mountain of ashes he had built up on the table in front of him. He'd nod to the guy behind the counter and abracadabra another cup of coffee would magically appear right there before him. He used to talk about the fifties like it was another country or something. Used to sit there all the time.

There was a woman, he said. There was always a woman. This one used to wear her hair piled up in a high like some Hollywood starlet. Wore pearls around her neck and those tight Jayne Mansfield sweaters, the figure on this girl you wouldn't believe, and she loved him to death. Followed him everywhere. She swore she'd do anything for him and he believed her. In the end that's what sent him packing. He left her there waiting for him and he hit the ground running. Never did go back. But he was just a kid, and he figured he'd be better off down the road.

She died in a fire, at least that's what he'd heard. 1972, 73. Fell asleep drinking with the candles still lit, that's all it took. "The toughest thing," he'd say, and then he wouldn't say anything.

Friday, June 11, 2010

9th and 3rd, 1959



"I remember one time he was the Silver Tin Can. If there was a window open, or a door, he'd throw a in can through it with a note: 'The Silver Tin Can Strikes Again!' He'd wear a cape and give his Doctor Sax laugh. 'Mwee-hee-hee-hee-hee!' Everybody thought it was the dirty Greek, me. Jack's mother just couldn't believe Jack would do anything like that. He'd be in his cape - thirteen years old - jumping over fences and running, always running."

- G.J. Apostolos